Free guide · Black and grey realism

The Elite Tattoo Planning Guide

How to plan a black and grey realism tattoo, or a full sleeve, that suits your body, holds its detail and still feels right years from now.

  • Turn a meaningful idea into a clear design direction
  • Choose the right size so the detail lasts
  • Pick placement that works with the shape of your body
  • Gather references your artist can actually use
  • Know what to look for in a realism artist
  • Prepare for your session and protect the tattoo as it heals
  • Plan a full sleeve as one piece that flows round the arm
  • See how a sleeve is built day by day and paced round your life
Cover of The Elite Tattoo Planning Guide Inside page: Flow, how the eye travels round a sleeve Worksheet page: your sleeve map
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What's inside

Twenty steps in two parts, from your first idea to a finished sleeve

Part one · Planning any realism tattoo
01

Start with the meaning

Why the reason behind your idea decides the details of the design.

02

One main subject

The three layers that stop a design turning into noise.

03

Size it for the detail

How big realism needs to be to still read clearly years later.

04

Placement for your body

Matching the shape of the design to the shape of you.

05

References that help

The photos that work, the ones that don't and why.

06

Understand black and grey

How contrast works and why it decides how your tattoo ages.

07

Choose the right artist

What to look for and the questions worth asking.

08

Time and budget

An honest look at what a large realism piece takes.

09

Prepare for your session

What to do in the week before and on the day.

10

Heal it and protect it

The habits that keep your darks dark for life.

Part two · Planning a sleeve
11

One piece, not a collection

Why the whole arm is planned before the first line.

12

How a sleeve wraps

Planning every side of the arm, not just one view.

13

The arm laid out flat

The map I use to place each subject.

14

Flow

How the eye travels, shown with my own drawings over healed work.

15

The arm moves

Planning for the way skin twists, bends and flexes.

16

One light, one story

Why one light source makes the whole sleeve feel like one world.

17

Where it starts and stops

How the shoulder and the wrist finish.

18

The process

How a sleeve project runs, from first message to healed.

19

Building it day by day

The order a sleeve is tattooed in and why.

20

Pace and sitting

Fitting the days round your life and getting through a full day.

Plus the twelve planning mistakes I see most often and a three page worksheet with your own sleeve map.

A strong tattoo starts before the needle touches the skin.
Why I wrote this

I've been tattooing for twenty years. I work from a private studio in East Kilbride with clients from Glasgow and across Scotland. I focus on large scale black and grey realism.

Most people I meet don't need more ideas. They need clarity. This guide is the planning I walk every client through, written down so you can start before we ever speak.

Steven Graham
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Plan it properly from the start

If the idea matters to you, give it the thought it deserves. The guide shows you where to begin.

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